
So we had another Plate 2 Stage outing a little sooner than we thought.
I received an email sent to alumni from Signature Theatre's Overtures program with a ticket offer to see their production of [Title of Show] a couple of weekends ago.
I suggested to Sam we turn it into a "blogging" afternoon, and that we eat at T.H.A.I. Shirlington beforehand.
[Title of Show] was originally presented in 2004, at the New York Musical Theatre Festival. In a nutshell, it's a musical about two guys trying to write a musical. Metro Weekly reviewed it back in April, and there's also a blog you can check out.
So instead of rehashing information that's already out there, I'll just share some personal thoughts.
First, this is one of those shows that puts me in my musical place. I think I know musical theatre, and then I see a piece like this and realize how little I know. That being said, even if you aren't aware of come of the conceits that might be used (such as choreography from the opening of A Chorus Line use in the opening number, appropriately titled "Untitled Opening Number") the actually plot and dialogue remain engaging, as Sam shared with me.
And the script doesn't just brake the fourth wall, they hit it out of the ballpark. Kudos to the cast, particularly their music director. There were so many moments, and choices which made each character particularly quirky, and endearing in different ways.
Also, after a good deal of what might seem like predictable and entertaining jokes and singing and dancing, for me in particular, the show dug a little deeper than I expected. Maybe it is because of my current endeavors in grad school for Arts Management, but genuine conflict started to creep in between characters, shifting from the initial struggle in the joint endeavor of simply getting a show up.
But when the show starts addressing what happens when success starts to beckon and you realize that not only do you have different understandings of success, but the different paths that you might have to take from partners and friends once thought to be quintessential and an inseparable part of your vision and life.
Not only looking at the danger when friendships are endangered by the professional relationships, but on a larger scale, look at the state of artists and new work in America, and the struggle between doing what we love and doing what we have to do to live. The irony is that while ideally the two are the same, until the arts are valued and supported the way that they should be, artists and the art that we create will be subject to the whims of economic hardship, paying bills, rent, health care, retirement, and all those things other sectors until recently might have taken for granted.
The ironic part is that the economic situation, while affecting arts organizations, have probably affected artists less than others, because we're used to juggling multiple jobs, of having to hustle to make ends meet, to stay busy and pay rent, of living within our means.
Yes, whether you realize it or not, if you've seen [Title of Show] and didn't understand the state of the artist before...well you learned a little something new, and maybe even had fun too.
And you have until June 27th to catch this; you can buy tickets here.
